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- Movie Review: Pink
Critic's rating4.0/5
Rating: 4 stars
Quick take: The last word in feminism
Pink is the film that gives feminism a brave new shade. It makes many relevant and bold pro-feminist and anti-sexist remarks. This is a politically charged social drama. But where its political statements are firm, its cinematic finesse is not very strong. But some films are all heart and that’s what makes Pink such a bold and relevant statement to our times.
On the basis of its intentions alone, Pink is a film that levels the playing field in the battle of the sexes. It critiques the patriarchal and chauvinist tendencies of Indian society to good effect. It raises questions on the treatment of modern Indian women especially on the basis of their sartorial and lifestyle choices. In effect, it’s as if the Canadian Prime Minister Justin Trudeau decided to make a film on gender equality in India. Pink is that relevant, balanced and logical with the topics it highlights. Three girls living in Delhi have a run in with a local politician's son and his friends while they’re partying together. The girls end up wounding the boy and that sparks off a game of egos, intimidation and political tactics. The girls try to file a police complaint while the boys try to employ their political muscle. Things get out of hand when the boys end up molesting one of the girls. The drama moves to the Sessions Court and what ensues is legal pandemonium.
Pink’s story works out pretty well. But there are a few issues in the script. The end of the case is a bit convenient, with the judge reaching his final verdict on the basis of emotional intelligence rather than hard facts, evidences and witness depositions, as you’d expect in a Court of law. A key part of the incident, the molestation, is never investigated through the hearings. But the dialogue written for this movie is top notch. Amitabh Bachchan gets the cream of the lines, but even the girls get solid lines with genuine emotions.
Pink’s focus solely rests on making resounding statements on feminism. The content of the film resonates the fears and insecurities of modern, working women in India and the harassment they face on a day to day basis. Director Aniruddha Roy Chaudhary and producer Shoojit Sircar can be the new poster boys of Women’s Rights in India.
The one single reason why Pink works is Amitabh Bachchan. His performance is in a different league. He plays lawyer to the girls and his statements in court are an Indian Women’s Rights Activists' wet dream. He’s playing a senile and bipolar man, so his scathing observations on sexism and exploitation of women are bit jagged but their absolutely bang on. His dialogue throughout the film is brilliant. Amitabh Bachchan infuses his role with characteristic intensity. Performances by Taapsee Pannu, Kirti Kharbanda and Andrea Taring are sufficient. Angad Bedi and Piyush Mishra excel in their grey roles.
Well acted, well intentioned and inspiringly brave, Pink is the film that can shake up feudal mindsets in India. It is a bit theatrical in its approach, but some causes need to be shouted from the rooftops. So that’s what Pink does. It stands tall and it lets out a roar of defiance against gender inequality and women exploitation. More power to girls.
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